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don’t think it would be going too far to say that Zoolander
is to male modeling as Spinal Tap is to 70’s Rock.
Zoolander is neither as subtle nor as sharp as Spinal
Tap, but it’s just as funny.
Zoolander has what are possibly the funniest first 10
minutes I’ve ever seen. Mugatu (Will Ferrell), a fashion
kingpin, is told that he needs to find someone to kill the Prime
Minister of Malaysia so that they can continue to exploit child
labor in the creation of their clothes. We then meet Derek Zoolander
(Ben Stiller), preparing for and then walking down the red carpet
to the VH1 Fashion awards. Zoolander is male model to the extreme
– fashion savvy but empty headed – and plans to win
Male Model of the Year for the 4th consecutive time. The only
thing in his way is Hansel (Owen Wilson), who is equally air headed
and just as absorbed in his modeling world.
Stiller and Wilson and consistently funny as the duo who remind
you of Dumb and Dumber, except with a sense of fashion.
And to the degree that their film personalities come out in their
characters, they’re even funnier. Stiller’s naïve
but serious attitude come across humorously enough but Owen Wilson’s
soft, nonchalant character takes the cake.
While Derek and Hansel work on resolving their issues, Matilda
(Christine Taylor) works on solving the mystery of Mugatu and
figuring out how he has brainwashed Zoolander before it’s
too late. Though I find Ferrell frequently unfunny on SNL, he’s
the perfect cast here. I can’t stop laughing at the scenes
where is dressed up as and acts like a little girl.
Zoolander brings us well within the fashion world to
the point that I believe there were some jokes that I missed;
such as one cameo from Paris Hilton, who I certainly would not
have known when the film came out in 2001, much less at the time
it was filmed. The whole film is flush with star cameos and appearances
– the sudden appearance of David Bowie being perhaps the
best.
Zoolander also manages to capture all of the glitter
and glam of the fashion world, as well as its shallowness. The
farce never lest up and never tries to show us a serious side.
The mockery is so extreme it feels as if Stiller is less concerned
with satire and more concerned with simply having a good time.
It certainly does so, and so do we.
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