| |
Opulent and overwrought with war and tragedy, Troy tells
Homer’s story Hollywood style. Though it’s fun to
witness such a large scale fight and get a sense for the massive
nature of this war, the just as lofty drama is spread thin because
it stretches so far.
Significant screen time, star power and sympathy is given to
both sides of the battle in Troy, which allows for an
interesting division of loyalty on the part of the audience throughout
the film. Instead of creating a situation where we care considerably
for both sides, however, the effect is just the opposite. Troy
is like watching a major sports game where you’re apathetic
about the outcome.
In Troy we have King Priam (Peter O’Toole) with his sons,
Hector (Eric Bana) and Paris (Orlando Bloom), who has fallen in
love with Helen (Diane Kruger), who belongs to Menelaus (Brendan
Gleeson), of the Spartan Empire. Paris and Helen run off to Troy,
which gives Agamemnon (Brian Cox), a reason to invade Troy. One
of his greatest warriors is Achilles (Brad Pitt), who fights valiantly
with Odysseus (Sean Bean) against the Trojans.
Fights and duals abound, with talk of support from the gods on
each side. The gods make up an interesting part in Troy,
in that they aren’t present at all. Some believe faithfully
in them, others don’t believe at all. Some believe that
they need to trust in the gods, others that they need to trust
in themselves. Though multiple questions are raised as to the
relationship of the gods to the people, none of them are really
answered. On the one hand, tragedy strikes both sides and seems
to suggest an absence of gods altogether, but on the other hand,
the tragic results themselves seem to entail a divine justice.
Brief but weighty relationships abound among all of the characters,
in such a way that we get a taste of each, but never really are
allowed to become involved with. The centerpiece of Troy
is the war though. From individual duels to large scale strikes,
Troy’s battles allow us to reflect on the tragedies
of war – from individual loss to wide spread carnage. I
never found myself particularly moved on behalf of any of the
characters or either of the rivals, but Troy’s
massive action sequences make it a passable experience.
|
|
|