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Thirteen
Conversations About One Thing is indeed true to its title.
It consists of thirteen conversations, or narrative sections, all
dealing with the same thing – happiness. Thirteen Conversations
explores the lives of four different characters, each of them searching
for peace and happiness in some way. Much in the style of The
Hours, Thirteen Conversations weaves in and out of
these lives, spending ten to fifteen minutes on each character before
moving on to another and back again in no real order.
One of the characters is Troy (Matthew McConaughey), a city prosecutor
who has great convictions as to the importance of justice and finds
joy in sending law breakers away to jail. One night after a few
drinks, he accidentally hits a girl while driving home and, in fear,
takes off and leaves her for dead. Troy then finds himself trying
to deal with the guilt and eventually does what he must to ease
his conscience and find peace again.
Another character is Beatrice (Clea DuVall), who is single and works
as a housecleaner, but is content with life because she believes
that God has a purpose for her. Things change when she is hit by
a car (by Troy). She begins to second guess her belief that God
is watching over her and searches for a reason to be happy.
A third character named Walker (John Turturro) is a college science
teacher, unhappy with his marriage and mundane life, and is actively
searching for happiness. He turns inwardly though, towards adultery
and shutting others out, and eventually discovers he has turned
the wrong way in search for happiness.
The fourth character is Gene English (Alan Arkin), a divorced middle-management
insurance agent who’s not very happy with his life. He is
especially frustrated by “Smiley” Bowman, one of the
agents who works under him, because he is constantly, unconditionally
happy and loving. English decides to fire him to see if it will
break him and is surprised by the response. This leads English to
reflect on his own life, on how he treated his former wife, and
how he treats others now.
One thing I would recommend, were the film to be redone, would be
– in the words of Elvis – “A little less conversation
a little more action.” True to its title, the film manages
to be largely a collection of conversations. We never are convinced,
however, that these people really have been changed as much as they
many claim to, because we never really see it.
I appreciate, to a certain extent, the understatement of the lessons
learned. With a subject matter in which it’s very easy to
be heavy handed, Thirteen Conversations allows us to reflect
on subtleties of action to suggest changes in the characters attitudes.
The understatement, however, is dangerous because it verges on superficiality.
You have to wonder how deep or sincere the change really is.
Even still, the stories’ implications are sweet. The character
of Smiley Bowman, though he doesn’t get much screen time,
is absolutely lovable and I think we are as touched by him as the
other characters whose lives he affects.
Thirteen Conversations About One Thing is well written
and thought provoking, with many more underlying ideas about happiness
then I have mentioned above. It succeeds, for a large part, in getting
across the messages it wants to send and manages to be an honestly
uplifting conversation about happiness.
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