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Though it’s a lot rougher along the edges, Spanglish
is, essentially, a better picture than the recent Closer,
if for no other reason than that it showcases only one self-absorbed
psychopath as opposed to four. But honestly, I appreciate the
positive notes struck by the melodrama: it offers a lift that
Closer never achieves.
The story tells of a mexican immigrant Flor (Paz Vega) who finds
work in the home of the upper class Clasky family, led by a self-absorbed
psychopath in Deborah (Tea Lioni) and the good, kind, easygoing
John (Adam Sandler). John and Deborah are married, heaven knows
why. They also have a daughter Bernice (Sarah Steele), who struggles
with various pre-teen issues such as weight and school, and a
son Georgie (Ian Hyland), who we don’t see much of.
Thus follows multiple storylines, including Flor’s protective
relationship with her daughter, Cristina (Shelbie Bruce), Flor’s
budding relationship with John, John’s dissipating relationship
with Deborah, Deborah’s positive relationship with Cristina
and struggling relationship with her own daughter Bernice, Flor’s
positive relationship with Bernice, John’s inner struggle
to keep balanced between work and home, Deborah’s inner
struggle to find herself, and Flor’s inner struggle to become
herself.
It all amounts to some great material and leads to a number of
good scenes, many of which bring mild laughs and tears. But most
of the storylines are not well resolved, and it all ends up feeling
rather messy. I was thoroughly engaged throughout most of the
film, but kept thinking to myself, all this time spent on all
these problems better pay off in a heck of a conclusion.
It didn’t. There is no conclusion. It’s all a bunch
of rising action that reaches no definite climax. The unfortunate
part is, it could have been a really good film. Cut out at least
a half hour of unnecessary drama, and you could have a nice, tight,
affecting story. The underlying positive note is that Spanglish
does offer two worthwhile characters in John and Flor.
Spanglish is a journey worth taking for its bits and
spurts of life and humor, but it’s weighed down with so
much extra baggage, your ready to get off by the end.
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