| |
Even
if I hadn’t known Seabiscuit is based on a popular
story, I would have guessed it. Seabiscuit makes the fatal
mistake of trying to get as much of the story in as possible instead
of cutting unnecessary scenes. And Seabiscuit could have
easily shaven off a half hour.
The 141 min story brings three men of different backgrounds together
through a horse named Seabiscuit. Charles Howard (Jeff Bridges)
is a wealthy businessman who, though hurt in the stock market crash,
is trying to build back his fortune through horse racing. He finds
Tom Smith (Chris Cooper), a horse loving loner, to find and train
a horse for him and Red Pollard (Tobey Maguire), a strong spirited
kid who has seen some hard times, to ride the horse.
Despite multiple trials and struggles, the team finds a way to the
top of the horse racing world. Each of these guys have found themselves
rather lonely in the world after struggling through their respective
trails; and yes, it’s Seabiscuit that brings them
together. I do appreciate the references to American history and
the suggested parallel of these guys as the common man in America
during the depression – struggling against all odds and yet
making it in the end.
There are a lot of fun-filled and finely filmed race scenes; in
fact the whole film is beautifully shot and warmly lit. We get above-average
performances from the whole cast, which includes a fun one from
William H. Macy as an energetic radio broadcaster. Standing far
beyond the rest, however, is Chris Cooper, who nails his simple,
earnest character through a nuanced performance and proves himself,
once again, as one of the best actors in the business.
But even Cooper’s supporting role can’t make up for
the excess of footage. Howard’s backstory, which is gone into
at some length, could have been told a whole lot more succinctly;
and multiple other scenes throughout the entire film could have
been harmlessly snipped at here and there.
An even bigger problem is that we’re never really given a
reason to be concerned about these characters. Sure, they’ve
been through a lot. They’ve suffered. They’re all underdogs.
And we love to see the underdogs win. But aside from the general
concern that comes because of their hard luck, we don’t get
any substantial reasons to root for these guys. Howard is just another
rich guy out to make a buck and Pollard is, quite frankly, really
just a punk. Tom Smith is the only sympathetic character but we
never get enough of him to come to care that much.
Oh, but it’s fun to see them succeed anyway. – perhaps
just because they are indeed the main characters if nothing else.
Seabiscuit falls short of either the strength of Rudy
or the grace of Billy Elliot,
but the race to the finish line is still a fun, heartwarming one. |
|
|