| |
The sequel to Resident Evil
starts out precisely where the first left off. Alice has made
it out of the facility and finds that the zombie virus has already
destroyed the city. In this episode, she joins some people who
are trying to keep alive, and helps them beat the crap out of
all the zombie monster’s they encounter.
Even more so than the first movie, Alice’s power enhancing
abilities come out and provide us with Matrix-esqu
fight scenes against the zombies. In addition to the traditional
zombies, we also meet a number of virus-enhanced creatures that
have resulted from the company’s experiments. The most notable
includes a mega monster that destroys everything in its path until
it meets Alice.
A few major plot holes, just for fun. First, the mega monster
is most valuable for its ability at precision aiming with a gun,
but in the battle with Alice, which is set up by the company to
see which is stronger, it is allowed no firearm, and its mobile
skills are limited. There really is no point to it all beyond
allowing for a fight scene between the two in which it’s
possible that Alice could win.
One other: it’s a major issue throughout the film that
a reporter is filming all of the events on a camcorder and it
becomes very important that the group – and footage –
survive, because, if not, the company that caused this problem
is going to drop a nuke on the city to cover up the event and
call it a malfunction with nearby nuclear reactor. Doesn’t
make sense. There are thousands of survivors who had first hand
experience with the zombies and will be able to testify as to
what happened, not to mention all the other ways to go about verifying
what actually happened via satellite, etc. It’s not a big
deal that an action sci-fi movie has this kind of plot hole, most
such movies do. But in this case, this idea is provides the underlying
rational for everything that happens in the last half hour of
the movie. Not necessary.
All in all, Apocalypse is indeed more than its predecessor.
More elaborate fights, more elaborate sets, and more elaborate
plot points but never a significantly more interesting final product.
|
|
|