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This is quite possibly the most solid filmmaking I’ve seen
in a long time. Solid script, solid lighting, solid, acting –
wonderful acting. Sold film work. I understand why it was nominated
for Best Picture. And yet, despite it all, I just wasn’t
that impressed.
Mystic River isn’t as mystical as it wants to be.
It really just boils down to a who-done-it murder mystery. There
are some psychological threads about child-abuse thrown in to
give it a sort of X-Files feel, but it didn’t go much further.
To tell the truth, the child abuse thread is actually the primary
thematic one. While three kids are playing in the street, one
is abducted and abused before he escapes a few days later. We
then meet the three as adults. Dave (Tim Robbins), the one who
was abused as a kid, still struggles with its nightmares. The
other two, Jimmy (Sean Penn) and Sean (Kevin Bacon) are still
haunted by what might have happened had it happened to them.
Things become complicated between the three as Jimmy’s
daughter is found murdered. Sean is the police detective and Dave
is the suspect. Laurence Fishburne plays Bacon’s partner
as they hunt down the murderer.
While the child abuse aspects do lend an interesting psychological
light to the story, some times it feels as if the film were a
commercial being made by some anti-abuse foundation, much in the
same way John Q identified the problems with the current
state of health care.
Other scenes seem forced in other ways. Though the acting truly
is fantastic on the part of everyone – especially Penn and
Robins, who deserve their Oscars – some of the scenes feel
like they were being played out just for the sake of another dramatic
acting opportunity. Similar things can be said about the dramatic,
but seemingly unnatural lighting. Technically speaking, the film
is almost too good. As in, it seems to be constantly aware of
how good it is.
But it is good. Constantly engaging and emotionally compelling,
Mystic River brings us into a dark, sad world that remains
haunting long after the film’s end.
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