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Though
frequently unfunny on SNL, Will Ferrell’s wide-eyed, straight-faced
silliness works perfectly in Elf. Here Ferrell plays a
man who crawled into Santa’s sack as a baby and then was reared
by Santa and his elves at the North Pole. He is named Buddy the
Elf and grows up doing elf things, like making toys, until he finally
realizes he is not an elf, but a human, and wants to go live with
his family in New York City.
We then see a happy, innocent Will Ferrell, dressed as an elf
and walking through the streets of New York, scared and excited
by the world around him. A large portion of Elf is made
up of short, isolated scenes where Buddy is discovering what the
real world is like. We see him struggling to get on an escalator
in the mall, harmlessly getting hit by taxies and pouring maple
syrup on everything he eats. The gags range from silly to extremely
funny and are usually funniest when they are the most subtle.
I can’t stop laughing as little things such as when Buddy,
in his father’s office, answers the phone with, “this
is Buddy the Elf, what’s your favorite color?”
On the other hand, Elf is at its least funny when focusing
on the narrative portion of the film. Buddy seeks the approval
of his father, Walter (James Caan), a businessman who isn’t
amused by the discovery of his long lost son and who is also on
Santa’s naughty list. In the meantime, Buddy gains the affection
of his new step-mother (Mary Steenburgen) and half-brother Michael
(Daniel Tay). Not until the end does Walter undergo a change of
heart, and unfortunately, it’s another sudden, cliché
change of heart that comes with little build up – sort of
like some of the poorer adaptations of A
Christmas Carol.
Buddy also likes to hang out at the mall because of its Christmas
decorations and there falls in love with Jovie (Zooey Deschanel),
who works in the ‘meet Santa Claus’ department and
so is dressed up as an elf. She returns his attention for some
strange reason, but it’s overlookable in the midst of the
silliness of the situation in the first place.
The whole last 20 minutes of the film, which consist of unoriginal
Christmas conventions, are unnecessary and detract from the tone
of the rest of the film – but at least we have the rest
of the film. And it’s worth having. In the midst of a weak
story, this character takes over and makes you laugh harder than
you’ve possibly laughed in awhile. That’s the best
Christmas gift I know.
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