Bridge to Terabithia plays like an adaptation
of a young adult novel and, indeed, it is. But what probably worked
well for a YA novel doesn’t always translate to the silver
screen. When things didn’t come together fully, I eventually
just assumed it was because the film was attempting to stay faithful
to the book’s structure. That makes for great fan material,
but not for great filmmaking.
What Terabithia probably does have over its source is
the ability to let us literally share in the visualization of
the imaginations of its middle school aged protagonists. Scorned
by school bullies and at edge with their families, Jesse (Josh
Hutchinson) and Leslie (AnnaSophia Robb) create a backyard imaginary
world that helps heal current wounds, as well as unforeseen wounds
yet to come. It’s a sweet, uplifting story that I imagine
most kids would thoroughly enjoy.
But it probably worked better as a book. The classic middle school
problems of bullies, bratty sisters, social embarrassment, pretty
teachers, romantic tensions – then tagged with attempts
at providing a practical solutions – all feels a bit worn.
This type of material might be new to the kids watching, but certainly
not to the genre. The compressed format of a 95 minute film also
makes it difficult to present each of these issues in anything
but a fleeting light.
Other problems don’t get solved at all. The film’s
most interesting tension – a mildly troubled relationship
between Jesse and his father (Robert Patrick) – appears
to be nearly forgotten by the story’s end. And the significance
of Jesse’s crush on his music teacher (Zooey Deschanel)
is only made apparent as an afterthought. Since when to teachers
go on “field trips” with individual students of the
opposite sex anyways?
One of the few conflicts in the film that actually gets a proper
resolution is the strained relationship between Jesse and his
too cute little sister (Bailee Madison). But doubling as a resolution
to Jesse’s inner turmoil, it’s so good it very nearly
makes up for the rest of them combined.