As enjoyable as it was to watch Johnny Depp deal with a mentally
challenged person in What’s
Eating Gilbert Grape, it’s even more fun to watch
him play a mentally challenged person in Benny and Joon.
It may sound strange to say that a mentally handicapped person
is amusing – but in this case it is. And intentionally
so. In fact, the film is almost a celebration of the loving,
playful side of the abnormal mind.
The title characters, Benny and Joon, are brother and sister.
Benny (Aiden Quinn), an auto mechanic, has been taking care
of his sister Joon (Mary Stuart Masterson), for the past twelve
years, since their parents died. Benny is getting tired of taking
care of Joon, who cannot be left alone for a long period of
time because you never know what she’ll do (like go out
into the street and start directing traffic), and is making
life complicated. This complication hasn’t been too much
of a problem until recently, as Benny has been trying to develop
a relationship with Ruthie (Julianne Moore).
Benny considers putting Joon into a mental home until Sam (Johnny
Depp), a playful character who appears to be able to write nothing
more than his name (but can read), comes along and makes things
interesting. Sam and Joon like each other and Benny likes Sam
as well – until he finds out the two of them are in love
with each other – and then he refuses to allow them to
see each other.
It’s never really clear what Sam and Joon’s mental
problems consist of. They aren’t exactly mentally slow,
they talk and interact just fine. But they both act like children
most of the time. On the other hand, I don’t think it
really matters. What’s important is that these guys are
innocent and childlike, yet deserving of respect.
And this, it appears, is the primary problem with Benny. He
doesn’t respect his sister. What it is exactly that causes
Benny’s change of heart, however, is beyond me. In the
sequence where the change apparently occurs, Benny walks around
to the tune of some light alternative music and contemplates
life for a moment. We’re never told what he was thinking,
or what led to his change of heart; but apparently something
happened, because he’s fine with Sam and Joon being together
in the next scene.
Sam’s Buster Keaten routine is fun, and it makes you wish
there was more of that and less of Benny. Joon is less funny
but frequently amusing. In fact, Benny and Joon doesn’t
even feel like it’s aiming for the out loud laughs at
all. It’s more directed towards having fun with its characters
in a way that, although never powerfully affecting, is still
affectionately amusing.